2014年5月17日 星期六

Odyssey 17. 462-606 眾神的化身

日期: 2014年5月16日
Odyssey 17. 462-504
Ἀντίνο᾽, οὐ μὲν κάλ᾽ ἔβαλες δύστηνον ἀλήτην,
οὐλόμεν᾽, εἰ δή πού τις ἐπουράνιος θεός ἐστιν.
καί τε θεοὶ ξείνοισιν ἐοικότες ἀλλοδαποῖσι,
παντοῖοι τελέθοντες, ἐπιστρωφῶσι πόληας,
ἀνθρώπων ὕβριν τε καὶ εὐνομίην ἐφορῶντες.  (Odyssey 483-487)

Antinous, it was wrong of you to hit
a wretched vagrant. And you may be doomed,
if somehow he’s a god come down from heaven. 
For, in fact, gods make themselves appear
like foreign strangers, assuming many shapes
and haunting cities, to investigate
men’s pride and their obedience to the laws. (Odyssey 483-487)

說穿了,這些追求者在Odysseus家中白吃白喝,和乞丐又有甚麼不同? 態度傲慢,又沒說故事交換主人的招待,其實比乞丐還不如。Antinous畢竟修養不好,又自知理虧,一下子就惱羞成怒,拿椅子砸打Odysseus,打他的右肩。Odysseus臨危不亂,穩穩站住,也沒有還手,然後拿起自己的破包包走到門那吃東西,還不忘祈求Antinous結婚之前就被死神接走。

   不管如何,動手打人就是錯,Antinous的行為引起公憤,除了Penelope和奶媽Eurynome都出來指責並祈禱Antinous受到懲罰,連追求這當中都有一年輕人出來指責Antinous,這段文字(Odyssey 483-487)表達古希臘人一個基本的觀念,眾神常常化裝成各種樣子,隱藏在人當中,觀察人的道德行徑,特別是揪出人是不是過度驕傲(ὕβριν)。所以神常常扮演陌生人 (ξείνοισιν ἐοικότες),或是說,每個我們預見的陌生人,可能都是神的化身,這是為什麼古希臘各地實踐「待客之道」習俗,也建立人與人之間互相尊重的最單純、最樸實的關聯。





日期: 2014年5月17日
Odyssey 17. 505-606
ἔρχεό μοι, τὸν ξεῖνον ἐναντίον ὧδε κάλεσσον.
οὐχ ὁράᾳς ὅ μοι υἱὸς ἐπέπταρε πᾶσιν ἔπεσσι;
τῷ κε καὶ οὐκ ἀτελὴς θάνατος μνηστῆρσι γένοιτο
πᾶσι μάλ᾽, οὐδέ κέ τις θάνατον καὶ κῆρας ἀλύξει.
ἄλλο δέ τοι ἐρέω, σὺ δ᾽ ἐνὶ φρεσὶ βάλλεο σῇσιν:
αἴ κ᾽ αὐτὸν γνώω νημερτέα πάντ᾽ ἐνέποντα,
ἕσσω μιν χλαῖνάν τε χιτῶνά τε, εἵματα καλά. (Odyssey 544-550)

Go call the stranger.
Bring him here in front of me. Did you not see
my son sneezing at everything I said?
So the complete destruction of the suitors
will not go unfulfilled—for all of them—
not one will escape his fatal destiny.
I’ll tell you something else. Lay it to heart.
If I see he tells me the entire truth,
I’ll dress him in fine clothes, cloak and tunic. (Odyssey 544-550)

Penelope聰慧過人,看到異地來的乞丐,馬上想到要詢問失蹤多年的Odysseus下落,因此請豬倌Eumaeus帶眼前的老乞丐到她跟前,如果老乞丐可以說一些他知道的訊息,Penelope也要餽贈衣物給可憐的乞丐。機警的Odysseus,請Eumaeus轉達,現在那些追求者都在,不宜多談,等晚一點再說。這裡開始布局,夫婦久別,快有機會對話。延後。


之間,Telemachus打個大噴嚏,音響震動全屋子,Penelope認為這是一個好兆頭,表示這些霸佔他們家的惡霸必亡。一個個預警,一直指向Odysseus復仇,和這群追求者的滅亡,只是,此刻時機尚未成熟,他們仍然渾然不知,盡情吃喝。


Penelope, as merely a woman, endures the suitors and their ransacking her royal stores. Is there not, however, something in her endurance that is rather an allowance, a test of the authenticity of Odysseus’s return? This test is not issued by a woman, but by a goddess, a fate—his fate. In one of their countless possible interpretations, the suitors are Odysseus’s own lesser values, aversions, assumptions, and habits of soul that would keep him from being proven as her rightful spouse.


http://commons.wikimedia.org/wiki/File:Penelope_och_Odysseus_som_tiggare,_Nordisk_familjebok.png

http://commons.wikimedia.org/wiki/File:Woodcut_illustration_of_Odysseus's_return_to_Penelope_-_Penn_Provenance_Project.jpg

2014年5月15日 星期四

Odyssey 17. 396-461 一毛不拔 小氣自私的人

日期: 2014年5月11日
Odyssey 17. 396-461
τὸν δ᾽ ἀναχωρήσας προσέφη πολύμητις Ὀδυσσεύς:
‘ὢ πόποι, οὐκ ἄρα σοί γ᾽ ἐπὶ εἴδεϊ καὶ φρένες ἦσαν:
οὐ σύ γ᾽ ἂν ἐξ οἴκου σῷ ἐπιστάτῃ οὐδ᾽ ἅλα δοίης,
ὃς νῦν ἀλλοτρίοισι παρήμενος οὔ τί μοι ἔτλης
σίτου ἀποπροελὼν δόμεναι: τὰ δὲ πολλὰ πάρεστιν.’
(Odyssey 17.453-457)

Resourceful Odysseus then moved back and replied:
“Well now, it seems as if that mind of yours
doesn’t match your looks—you’d refuse to give
even a grain of salt from your own house
to a follower of yours, and now you sit
in someone else’s house and do not dare
to take some bread and offer it to me.
And yet there’s plenty right in front of you.”
(Odyssey 17. 453-457)


396-409行,Telemachus和追求者當中的Antinous過招,顯然這兩位都不算高手,雖然表面上高來高去。Telemachus先諷刺,說Antinous待他如兒子,應該是很慈悲的人! 他和搭的母親都不會在意他分些食物給乞丐,由他自己決定。但是,小氣自私的Antinous馬上反應,Telemachus真是放肆,如果每個求婚者都給這乞丐食物,乞丐就可以三個月不用出門。Antinous應該是誇大的說法,不過,從他的說法中,我們可以想像,屋中的追求者很多。

410-444行,真正「說話高手」出場,裝成老乞丐的Odysseus出來試探Antinous,先禮後兵,誇讚Antinous是高貴的人,然後有再次說他的假故事,一個不幸的克里特島人,從貴族變成流亡的乞丐的故事。這麼感人的故事,並沒有打動自私無情的Antinous,

Antinous不但沒同情老乞丐,還痛罵他是禍源。所以Odysseus得出結論,開頭就說,可悲可恥 (πόποι oh strange! oh shame!) (Odyssey 17. 453-457),Antinous是個表裡不一的小人,連「一粒鹽」也不願意施捨的小氣鬼。不過,這裡原文沒提到鹽,而是用σῖτος, grain,全文是一毛不拔的意思,一點稻穀,或是麵包屑都不願意拿出來分給窮人的意思。






2014年5月11日 星期日

Odyssey 17. 336-395 回家了,只是....

日期: 2014年5月11日
閱讀荷馬史詩一陣子,樂在當中,一如小時候讀金庸武俠小說,沉醉當中,一讀再讀。談起金庸,很多人都像如數家珍,希望幾年後,我談荷馬史詩也是如此。

Odyssey 17. 336-395
ἀγχίμολον δὲ μετ᾽ αὐτὸν ἐδύσετο δώματ᾽ Ὀδυσσεύς,
πτωχῷ λευγαλέῳ ἐναλίγκιος ἠδὲ γέροντι,
σκηπτόμενος: τὰ δὲ λυγρὰ περὶ χροΐ εἵματα ἕστο.
ἷζε δ᾽ ἐπὶ μελίνου οὐδοῦ ἔντοσθε θυράων,
κλινάμενος σταθμῷ κυπαρισσίνῳ, ὅν ποτε τέκτων
ξέσσεν ἐπισταμένως καὶ ἐπὶ στάθμην ἴθυνεν.

Odysseus came into the house behind Eumaeus,
looking like an old and miserable beggar,
leaning on his staff, his body dressed in rags.
He sat on the ash wood threshold in the doorway,
propping his back against a post of cypress wood,
which a craftsman had once planed with skill
and set in true alignment.

   「少小離家老大回」,Odysseus也是離家二十年,這會終於抵達家門,雖然裝扮成老乞丐模樣,手拄著木杖,畢竟是自己的家園,我想他的心情必定是激動不已。門檻是梣木製,還有柏木的門柱,這可是當時請工匠精心設計,柏木,顯然是非常高檔的木料!
   Telemachus吩咐Eumaeus拿麵餅和肉給老乞丐,並勸他和每一位在場的追求者乞討,說了一句名言: 「對於一個困頓的人,羞怯不是好品格。」(Shame is no good thing in a man that is in need. αἰδὼς δ᾽ οὐκ ἀγαθὴ κεχρημένῳ ἀνδρὶ παρεῖναι.) (Odyssey 17.347)豬倌Eumaeus照做,只是重複的話不太一樣: 「對於乞丐,羞怯不是好品格。」 (Shame is no good thing in a beggar. αἰδῶ δ᾽ οὐκ ἀγαθήν φησ᾽ ἔμμεναι ἀνδρὶ προΐκτῃ.) (Odyssey 17.352)這似乎是常見的俚語,基本意思是,勤勞乞討,就不會挨餓。只是,Telemachus已經知道眼前這位老乞丐是他的父親,但是豬倌Eumaeus還是以為他是個可憐的老乞丐。之後,雅典娜也趁吟唱詩人休息,追求者起鬨之際,鼓勵Odysseus快去乞討,也可以藉此機會試探這些追求者的人品。
   Melanthius第一個懷疑老乞丐,覺得他來歷不明。第二個大聲說話的是Antinous,這名字的意思是counter-minded,顯然是個充滿敵意的人。他罵Eumaeus為何再多帶一個白吃白喝的乞丐? 說道這裡已經太多流浪漢 (ἀλήμων wanderer, rover),多一個乞丐分食,不怕早一日把Odysseus家中東西吃光? 而且這乞丐破壞它們的狂歡。我讀到這都很想笑,因為這群追求者,雖然可能來自比較富裕的家庭,但是也是在這兒白吃白喝,而且不守規矩,比乞丐都不如。
   豬倌Eumaeus的回答極棒,修辭與邏輯都很好。第一,Antinous說話無條理,因為除了有特殊才藝的人,例如預言家,治病的人,木匠,或是吟唱詩人,他不會主動邀請人來。第二,只要是來客,他都遵守待客之道。反之, Antinous在此作客,卻不懂禮儀,特別對Eumaeus很兇悍,是欠周到。第三,Eumaeus表達自己對女主人與少主人的忠實,必定堅守崗位,即使這群追求者跋扈囂張,他會忍耐,做他該做的事。
   你來我往,唇槍舌戰,Telemachus此時出面,希望大家安靜,也勸豬倌小心,不要浪費唇舌和這些小人鬥,也必要招惹這群惡霸。
   在Eumaeus的用字裡,提到有才藝者 (δημιουργός,one who works for the people, a skilled workman, handicraftsman),例子包括預言家,治病的人,木匠,或是吟唱詩人(
μάντιν ἢ ἰητῆρα κακῶν ἢ τέκτονα δούρων, ἢ καὶ θέσπιν ἀοιδόν),可見當時對「技藝」或是特殊職業的觀點。

Suggestion of a drawing representation of the palace © Ministry of Culture and Sports
資料來源: http://odysseus.culture.gr/h/2/eh2562.jsp?obj_id=9461&mm_id=10683
_______________

μέλινος ashen 參考史詩植物筆記: http://homegplant.blogspot.tw/2013/09/10-ash.html
κυπαρίσσινος of cypress-wood  參考史詩植物筆記


2014年5月9日 星期五

Odyssey Book 17

Odyssey: Book 17

  日期: 2014年5月 5日
Odyssey 17. 1-83
打開第十七卷,又是新的開始,第一行: As soon as rose-fingered early Dawn appeared, ἦμος δ᾽ ἠριγένεια φάνη ῥοδοδάκτυλος Ἠώς, 同一句話,出現在《奧德賽》二十次,這是吟唱詩人的基本公式,也標誌每一日故事的開始。然而,這一天是那麼不同,因為父子要開始展開行動。不過,此刻Telemachus口中稱的老爹(father,ἄττα),還是老管家Eumaeus, 一方面說明他要親自去見母親,一方面請他帶老乞丐Odysseus進城。Odysseus還解釋他要進城,因為已年老,無法作田裡粗活,而他也需要一件厚一點的衣物。
  Telemachus稱呼眼前的Odysseus為不幸的異鄉客(unfortunate stranger,τὸν ξεῖνον δύστηνον) (Odyssey 17. 10),而Odysseus直接了當用「乞丐」(beggar,πτωχός)一詞描述自己的現況,兩個人的說法都暗示,城裡的乞討比較有效,也可以推論,古希臘城市存在類似的乞丐,依據Hesiod寫的《工作與時日》,遠古希臘的乞丐也算是一種職業,身分和吟唱詩人類似。《新約》中也有乞丐的描述,中古世紀還有乞缽憎,但不知道古希臘或西方明中有沒有向中國武俠小說中「丐幫」組織? 這是一個有趣的文化研究題目!

A beggar, or ptóchos (πτωχός), was both a welcomed and a loathed sight at the gates of ancient Greek cities. According to some sources, most notable Hesiod's Works and Days, being a beggar is a profession, equated with potters and minstrels. They performed a public function simply by being who they were and doing what they did. But what did they do?

http://en.wikipedia.org/wiki/Begging 西方世界乞丐的文化
Ancient Greeks distinguished between the ptochos (Greek: πτωχός, "passive poor" or "beggars") and the penes (Greek: ποινής, "active poor"), with the latter being accorded a higher social status. The New Testament contains several references to Jesus' status as the savior of the ptochos, usually translated as "the poor", considered the most wretched portion of society

第22-44行紀錄Telemachus走到門口,第一個出來迎接他的是奶媽Eurycleia,這也是史詩中最傳神的女性人物之一,之後也是她在幫Odysseus洗腳時,認出這位主人。緊接著出場的是Penelope,這兒史詩形容這位奇女子既像純潔女神Artemis,又是愛神Aphrodite的化身(Odyssey 17. 36-40)。
  Telemachus勸母親不要憂傷,快潔身,換清潔的衣服,準備百牲祭,祈求宙斯處罰那些追求者的惡行。之後,Telemachus走進大廳,手持武器,兩隻狗跟著,雅典娜相助,所以Telemachus看起來風度翩翩,那些追求者群聚,表面上對他畢恭畢敬,心裡卻圖謀不軌。和 《伊里亞特》的直來直往不一樣,《奧德賽》很多處強調人的心口不一。


ἔγχος ἔχων: ἅμα τῷ γε δύω κύνες ἀργοὶ ἕποντο.
θεσπεσίην δ᾽ ἄρα τῷ γε χάριν κατέχευεν Ἀθήνη:
τὸν δ᾽ ἄρα πάντες λαοὶ ἐπερχόμενον θηεῦντο.
ἀμφὶ δέ μιν μνηστῆρες ἀγήνορες ἠγερέθοντο
ἔσθλ᾽ ἀγορεύοντες, κακὰ δὲ φρεσὶ βυσσοδόμευον. (Odyssey 17.61-66)

Telemachus walked through the hall, gripping his spear. 
Two swift dogs went with him. Athena poured on him
such marvelous grace that, as he moved along,
all people gazed at him. The arrogant suitors
thronged around him, making gentle conversation,
but deep in their hearts they were planning trouble. (Odyssey 17.61-66)

   今天閱讀這一段,特別學習一個英文字: throng

noun
1. a multitude of people crowded or assembled together; crowd.
2. a great number of things crowded or considered together: a throng of memories.
verb (used without object)
1. to assemble, collect, or go in large numbers; crowd.
verb (used with object)
2. to fill or occupy with or as with a crowd: He thronged the picture with stars.
3. to fill by crowding or pressing into: They thronged the small room. 
4. Tourists thronged the bars and restaurants.
5. The streets were thronged with Christmas shoppers.  
6. Fans thronged the field to celebrate the win

__________________________________________________________________________
日期: 2014年5月 6日
Odyssey 17. 84-165
這趟旅遊Telemachus結識不少朋友,還帶回一位長期流亡的旅人(ξεῖνον ταλαπείριον) Theoclemeus回家,安排吃住,這裡還特別描述洗澡、抹油、更衣,飯前洗手,然後招待麵包與餐飲,這一些都是古希臘大城邦的待客之道。這裡特別提到澡盆 (ἀσάμινθος bathing-tub),S. Reece寫一專書討論史詩時代的澡盆: The Homeric And Mycenaean Bath Ἀσάμινθοσ / Νασάμινθοσ (E-ISBN: 9789047427872)。另外,身上抹的是橄欖油: ἔλαιον olive-oil。古希臘人認為洗澡抹橄欖油,可以去除疲勞,放鬆,清潔等功效。
   因為家裡被一群追求者包圍,母子的關係其實有點緊張,Penelope原先想先回臥室,因為猜測Telemachus不會再眾人面前說Odysseus的消息。但是,Telemachus故意大聲說這次旅行紀實,在Nestor和Menelaus的宮中,都得到很好的招待,但是都查不出Odysseus的最新消息。然後,報導 Menelaus的一段話, 顯然嘲笑這群追求者不自量力,像是在兇猛獅子居住的叢林中的兩隻初生的小鹿。在引用Menelaus的話中,還提到Odysseus當年勇,在繁榮Lesbos島上,和當時的國王Philomeleides摔交,大勝,全希臘人都為Odysseus歡呼。Menelaus期待Odysseus再出現,和當年一樣英勇,擊敗這些追求者。另外,傳說中Odysseus現在被仙女Calypso 藏著。 關於Odysseus和Philomeleides比摔交,荷馬史詩也再次出現兩次。只是Lesbos,就是今日女同志lesbian一詞的字源,女詩人Sappho 的故鄉。

Sappho listens as the poet Alcaeus plays a "kithara". The Walters Art Museum.
出處: http://en.wikipedia.org/wiki/Lesbos

   Theoclemeus重複與強調他所見,預言Odysseus必定回來,必定戰勝這群惡劣的追求者。

ὣς εἰπὼν ξεῖνον ταλαπείριον ἦγεν ἐς οἶκον.
αὐτὰρ ἐπεί ῥ᾽ ἵκοντο δόμους εὖ ναιετάοντας,
χλαίνας μὲν κατέθεντο κατὰ κλισμούς τε θρόνους τε,
ἐς δ᾽ ἀσαμίνθους βάντες ἐϋξέστας λούσαντο.
τοὺς δ᾽ ἐπεὶ οὖν δμῳαὶ λοῦσαν καὶ χρῖσαν ἐλαίῳ,
ἀμφὶ δ᾽ ἄρα χλαίνας οὔλας βάλον ἠδὲ χιτῶνας,
ἔκ ῥ᾽ ἀσαμίνθων βάντες ἐπὶ κλισμοῖσι καθῖζον.
(Odyssey 17.84-90)

As he said this, he led the long-suffering stranger
towards the house. When they reached the stately palace,
they put their cloaks down on the seats and armchairs, 
then went into the polished tubs to have a bath.
After the attending women had washed both men,
rubbed them down with oil, and wrapped around them
woolen cloaks and tunics, they came out from the bath 
and sat down on the chairs.
(Odyssey 17.84-90)

日期: 2014年5月 9日
Odyssey 17. 166-246
史詩一在提醒我們: 驕必敗。這一些段中,看見那群無知狂妄的追求者,自以為是,沾沾自喜,每天狂歡,大吃但喝,而且日復一日,想來如此,因為內心傲慢,死期已近,渾然不知。(Odyssey 17. 166-191)
  Odysseus的宮廷被霸佔良久,家裡的奴僕也有不少人靠攏追求者,巴結奉承他們,而且態度傲慢,對忠貞的豬倌,更是刁難與嘲諷。這時,拿著簡單的木棍,穿著破舊衣服,拿破包的老乞丐Odysseus正在走進成,在Ithaca的聖泉,遇見兩位叛徒Melanthius和Dolius,正在幫那群飽食終日,無所事事的追求者籌備上等的晚餐,狹路相逢,開始冷嘲熱諷,用盡尖酸刻薄的話語,

ὣς φάτο, καὶ παριὼν λὰξ ἔνθορεν ἀφραδίῃσιν
ἰσχίῳ: οὐδέ μιν ἐκτὸς ἀταρπιτοῦ ἐστυφέλιξεν,
ἀλλ᾽ ἔμεν᾽ ἀσφαλέως: ὁ δὲ μερμήριξεν Ὀδυσσεὺς
ἠὲ μεταΐξας ῥοπάλῳ ἐκ θυμὸν ἕλοιτο,
ἦ πρὸς γῆν ἐλάσειε κάρη ἀμφουδὶς ἀείρας.
ἀλλ᾽ ἐπετόλμησε, φρεσὶ δ᾽ ἔσχετο:
(Odyssey 17. 233-238)

Melanthius finished, and as he moved on past them,
in his stupidity he kicked Odysseus on the hip.
But that didn’t push Odysseus off the pathway.
He stood there without budging. He was wondering
whether he should charge and kill him with his staff,
or grab him by the waist, lift him up, and smash his head
down on the ground. But he hung on, controlling
what was in his heart.

日期: 2014年5月 10日
Odyssey 17. 247-335
聽完Eumaeus禱告,這位牧羊大哥好像還是不知自省,還破口大罵,把這忠貞的老官家比喻成狗,他誠心的禱告也被比喻成狗叫。還不知廉恥,直接把心裡的歪主意說出,打算販賣人口,把老管家賣了,從中牟取暴利。(Odyssey 17.247-253)
   終於走到Odysseus的府邸,房屋鱗次櫛比,庭園有衛牆和遮簷,還有雙扇院門。這裡我學了兩個古希臘建築的詞彙:
τοῖχος wall of a house
θριγκός topmost course of stones in a wall, cornice, coping


Coping (architecture): 遮簷;牆頂
Coping (from cope, Latin capa), consists of the capping or covering of a wall. A splayed or wedge coping slopes in a single direction; a saddle coping slopes to either side of a central high point. A coping may consist of stone (capstone), brick, tile, slate, metal, wood or thatch. In all cases it should be weathered to throw off the water. Various types of copings exist.
  屋內則是歌聲繞樑,酒肉穿梭,吟唱詩人是Phemius,他的名字意思是fame-giver,或許意味歌功頌德的人,第一卷就有提到這問吟唱詩人。


http://www.maicar.com/GML/000PhotoArchive/ScenesOdyssey/slides/od023flax.html

前面提提到忠狗,是個比喻,接下來出現的是真正的忠狗, Argus (或Argos,希臘文Ἄργος),這二十年,主人 Odysseus不在家,他無人照顧,遍體生滿蟲蝨,躺在穢土之中,一看到老乞丐,就認出這是牠的主人Odysseus,擺動尾巴,垂下耳朵,Odysseus看了好心寒,傳身拭去眼淚,當著Eumaeus面前誇讚這狗,應該是很罕見的狗。老管家也提到Argus 當年的英武。只是,Argus看見主人回來,最後一聲嘆息,似乎完成守護家園的職守,就被死神帶走。
   這狗,應該是戰爭前,Odysseus眷養的獵犬,是當時有錢人當成財富的一部分。狗的情境,正反映出這二十年一家土地肥有領主,一個家沒有主人的慘淡景況。

ὣς οἱ μὲν τοιαῦτα πρὸς ἀλλήλους ἀγόρευον:
ἂν δὲ κύων κεφαλήν τε καὶ οὔατα κείμενος ἔσχεν,
Ἄργος, Ὀδυσσῆος ταλασίφρονος, ὅν ῥά ποτ᾽ αὐτὸς
θρέψε μέν, οὐδ᾽ ἀπόνητο, πάρος δ᾽ εἰς Ἴλιον ἱρὴν
ᾤχετο. τὸν δὲ πάροιθεν ἀγίνεσκον νέοι ἄνδρες
αἶγας ἐπ᾽ ἀγροτέρας ἠδὲ πρόκας ἠδὲ λαγωούς:
δὴ τότε κεῖτ᾽ ἀπόθεστος ἀποιχομένοιο ἄνακτος,
ἐν πολλῇ κόπρῳ, ἥ οἱ προπάροιθε θυράων
ἡμιόνων τε βοῶν τε ἅλις κέχυτ᾽, ὄφρ᾽ ἂν ἄγοιεν
δμῶες Ὀδυσσῆος τέμενος μέγα κοπρήσοντες:
ἔνθα κύων κεῖτ᾽ Ἄργος, ἐνίπλειος κυνοραιστέων.
δὴ τότε γ᾽, ὡς ἐνόησεν Ὀδυσσέα ἐγγὺς ἐόντα,
οὐρῇ μέν ῥ᾽ ὅ γ᾽ ἔσηνε καὶ οὔατα κάββαλεν ἄμφω,
ἆσσον δ᾽ οὐκέτ᾽ ἔπειτα δυνήσατο οἷο ἄνακτος
ἐλθέμεν: αὐτὰρ ὁ νόσφιν ἰδὼν ἀπομόρξατο δάκρυ,
ῥεῖα λαθὼν Εὔμαιον, ἄφαρ δ᾽ ἐρεείνετο μύθῳ:

    And so these two men   
talked to each other about these things. Then a dog
lying there raised its head and pricked up its ears.
It was Argus, brave Odysseus’ hunting dog,
whom he himself had brought up many years ago.
But before he could enjoy being with his dog,
he left for sacred Troy. In earlier days, young men
would take the dog to hunt wild goats, deer, and rabbits,
 but now, with his master gone, he lay neglected
in the piles of dung left there by mules and cattle,
heaped up before the doors until Odysseus’ servants
took it as manure for some large field. Argus lay there,
covered in fleas. Then, when he saw Odysseus,
who was coming closer, Argus wagged his tail
and dropped his ears. But he no longer had the strength
to approach his master. Odysseus looked away
and brushed aside a tear—he did so casually
to hide it from Eumaeus. Then he questioned him:












http://www.mlahanas.de/Greeks/Mythology/Argos.html